By installing three monumental painted shapes on the roof of the “Cité Radieuse”, a small town that looks towards the bigger one since 1952, Felice Varini has freed himself from the dilemma posed by any journalist with his article and any artist with his descriptive label: what angle shall i give to my article, how my work should be understood? Even though each piece of art finds consistency from single point that you need to discover, the work of the Swiss artist can exist from all the viewpoints that the audience may choose. There is need for a decoder therefore to solve the anamorphic process since there are as many artworks as people looking at them. It is the same with our recommended addresses; everyone will see them from their own perspective.
By installing three monumental painted shapes on the roof of the “Cité Radieuse”, a small town that looks towards the bigger one since 1952, Felice Varini has freed himself from the dilemma posed by any journalist with his article and any artist with his descriptive label: what angle shall i give to my article, how my work should be understood? Even though each piece of art finds consistency from single point that you need to discover, the work of the Swiss artist can exist from all the viewpoints that the audience may choose. There is need for a decoder therefore to solve the anamorphic process since there are as many artworks as people looking at them. It is the same with our recommended addresses; everyone will see them from their own perspective.
